Oftentimes, to see artwork up close and from afar is to see two entirely different pieces.
Canadian artistMichael Goodsonexplores this effect in his series of complex, large-scale portraits.
The scale allows this tension as the viewer’s proximity to the piece transforms their experience of it.
To achieve the mesmerizing tactile effect on his canvas, Goodson must layer his painting.
First, he develops a pencil sketch of the subject on a 6 x 4 foot masonite.
To do this, he uses a caulking gun, brushes, and, occasionally, his hands.
Finally, the Canadian artist achieves the mesmerizing effect in the skin of his portrait.
Michael Goodson works primarily on commission.
To keep up to date with his newest portraits you might visit hisInstagram.
Canadian artist Michael Goodson explores the geography of the face with his large, tactile portraits.
Goodson uses layers of acrylic and silicone to create the flow and directionality in his paintings.
