Do Ho Suh, Rubbing/Loving Project: Seoul Home, 2013-2022.
Installation view at Museum ofContemporary ArtAustralia, Sydney, Australia.
(Photo: Sebastian Mrugalski.
Do Ho Suh, “Rubbing/Loving Project: Seoul Home,” 2013-2022. Installation view at Museum ofContemporary ArtAustralia, Sydney, Australia. (Photo: Sebastian Mrugalski. Courtesy of the artist and Lehmann Maupin, New York, Seoul and London. © Do Ho Suh)
Courtesy of the artist and Lehmann Maupin, New York, Seoul and London.
Suh’s work, which explores themes of identity and what we consider home, invites viewers in.
For me, space is that which encompasses everything.
Photo: © Gautier Deblonde/DACS
Acclaimed South Korean Artist Do Ho Suh is bringing his architectural installations to London’s Tate Modern.
Do Ho Suh, Nest/s, 2024.
Polyester, stainless steel.
Do Ho Suh, “Nest/s,” 2024. Polyester, stainless steel. 410.1 x 375.4 x 2148.7 cm. Courtesy the Artist and Lehmann Maupin New York, Seoul and London (Photo: Jeon Taeg Su © Do Ho Suh)
410.1 x 375.4 x 2148.7 cm.
Polyester, stainless steel.
410.1 x 375.4 x 2148.7 cm.
Do Ho Suh, “Nest/s,” 2024 (detail). Polyester, stainless steel. 410.1 x 375.4 x 2148.7 cm. Courtesy the Artist and Lehmann Maupin New York, Seoul and London (Photo: Jeon Taeg Su © Do Ho Suh)
Polyester, stainless steel.
455 x 575 x 1237 cm.
Polyester, stainless steel.
Do Ho Suh, “Perfect Home: London, Horsham, New York, Berlin, Providence, Seoul,” 2024 (detail). Polyester, stainless steel. 455 x 575 x 1237 cm. Courtesy the Artist and Lehmann Maupin New York, Seoul and London (Photo: Jeon Taeg Su © Do Ho Suh)
455 x 575 x 1237 cm.
Do Ho Suh, Rubbing/Loving: Company Housing of Gwangju Theater, 2012.
Commissioned by the Gwangju Biennale, 2012.
Do Ho Suh, “Perfect Home: London, Horsham, New York, Berlin, Providence, Seoul,” 2024. Polyester, stainless steel. 455 x 575 x 1237 cm. Courtesy the Artist and Lehmann Maupin New York, Seoul and London (Photo: Jeon Taeg Su © Do Ho Suh)
(Photo: Prudence Cuming Associates.
Courtesy of the artist and Lehmann Maupin, New York, Seoul and London.
Do Ho Suh)
Do Ho Suh, Rubbing/Loving Project: Seoul Home, 2013-2022 (detail).
Do Ho Suh, “Rubbing/Loving: Company Housing of Gwangju Theater,” 2012. Commissioned by the Gwangju Biennale, 2012. (Photo: Prudence Cuming Associates. Courtesy of the artist and Lehmann Maupin, New York, Seoul and London. © Do Ho Suh)
Installation view at Museum of Contemporary Art Australia, Sydney, Australia.
(Photo: Sebastian Mrugalski.
Courtesy of the artist and Lehmann Maupin, New York, Seoul and London.
Do Ho Suh, “Rubbing/Loving Project: Seoul Home,” 2013-2022 (detail). Installation view at Museum of Contemporary Art Australia, Sydney, Australia. (Photo: Sebastian Mrugalski. Courtesy of the artist and Lehmann Maupin, New York, Seoul and London. © Do Ho Suh)
Do Ho Suh, My Homes, 2010.
(Photo: Hyunsoo Kim.
Commissioned by the Victoria and Albert Museum, London.
Do Ho Suh, “My Homes,” 2010. (Photo: Hyunsoo Kim. Courtesy of the artist, Lehmann Maupin, New York, Seoul and London, and Singapore Tyler Print Institute © Do Ho Suh)
Commissioned by the Victoria and Albert Museum, London.
Do Ho Suh, “Haunting Home,” 2019. Courtesy of the artist, Lehmann Maupin, New York, Seoul and London, and Singapore Tyler Print Institute. © Do Ho Suh
Do Ho Suh, “Robin Hood Gardens, Woolmore Street, London E14 0HG,” 2018 (still). Commissioned by the Victoria and Albert Museum, London. Courtesy of the Artist, Lehmann Maupin, New York and Seoul and Victoria Miro London / Venice © Do Ho Suh
Do Ho Suh, “Robin Hood Gardens, Woolmore Street, London E14 0HG,” 2018 (still). Commissioned by the Victoria and Albert Museum, London. Courtesy of the Artist, Lehmann Maupin, New York and Seoul and Victoria Miro © Do Ho Suh
