Each geometric piece is an amazing explosion of architectural shapes that seem to burst from the surface.
The circular, square, and asymmetrical arrangements capture the animated spirit of a city in unexpected formations.
McNabb doesn’t plan ahead before he starts a piece.
I compare hyperrealistic painting to fine woodworking, he explains.
Both are slow, tedious, detail-oriented processes that require great care and consideration through every stage of making.
It’s my attempt at urban woodworking.'
James McNabb’s websitevia [Colossal], [Lustik]
