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The wondrous beauty of the animal kingdom is a constant source of inspiration for artistNiharika Rajput.
Through steady and deliberate work, Rajput intends to create a sculpture of every living bird species.
We recently spoke with Rajput about her masterful bird sculptures in flight and flourishing creative practice.
Scroll down to read My Modern Met’s exclusive interview.
How did you start making paper sculptures?
Having said thatit took some time before I finally landed on the paper sculptures.
This was the turning point for me.
Then came the tedious task of identifying the right materials for these sculptures.
I worked with fiber and epoxy before I landed on paper.
Paper as a material replicated the feathers of the bird accurately.
What is your most important artist tool?
Well, I have to say my old, beat-up pair of scissors.
I absolutely cant do without them.
What do you attempt to achieve or express in each of your pieces?
I am still working on creating a narrative and the expressions.
How would you say your artistic practice has changed over time?
My artistic practice has grown in leaps and bounds since I first started building birds.
How do you decide which species of bird to make?
Well, some are project-based.
If they have been commissioned by wildlife organizations or individuals then I have to build those birds.
I love building birds with the most exciting plumage display.
Is there an artwork you are most proud of?
Yes, my recent favorite is the paper sculpture of the Ruby-Throated Hummingbird sucking nectar from a coneflower.
It was a challenging piece to build, having the bird suspended in mid-air.
How do you know when a work is finished?
What is the best thing about being an artist?
Dexterity and a unique sense of perception.
What projects are you currently working on?
I usually build the perches myself instead of using real wood.
