Invigorated by this new approach to painting, the Nabi movement quickly materialized.
That same year, the Nabis established a studio at28 rue Pigallein Paris.
They also produced wallpaper, tapestries, ceramic wares, and stained glass.
Maurice Denis, “Poetic Arabesque,” 1892 (Photo:Wikimedia Commons[CC BY 2.0])
It has reached the stage at which definitive syntheses are possible.
Everything is contained within the beauty of the work.
Louis-Alfred Natanson, Photo of Ker-Xavier Roussel, Édouard Vuillard, Romain Coolus, and Felix Vallotton in 1899 (Photo:Wikimedia Commons[Public Domain])
Paul Sérusier, “The Talisman,” 1888 (Photo:Wikimedia Commons[Public Domain])
Édouard Vuillard, “The Flowered Dress,” 1891 (Photo:Wikimedia Commons[Public Domain])
Édouard Vuillard, “Public Gardens,” 1894 (Photo:Wikimedia Commons[Public Domain])
Maurice Denis, “Homage to Cézanne,” 1900 (Photo:Wikimedia Commons[Public Domain])