The list, of course, goes on.

All of this is to say thatPicasso For Asiais as ambitious as it is sprawling.

To accommodate this, the exhibition is organized into four archetypes.

M+ presents the exhibition “Picasso for Asia: A Conversation."

Installation view of “The Hong Kong Jockey Club Series: Picasso for Asia—A Conversation,” at M+ in Hong Kong. (Photo: Lok Cheng)

In turn, Asian artists responded to this, as revealed in works like Gu DexinsUntitled.

The painting includes a cast of fantastical creatures, ranging from three-headed cattle to amorphous birds.

(Photo: Wilson Lam)

Pablo Picasso, The Acrobat, 1930.

M+ presents the exhibition “Picasso for Asia: A Conversation."

Installation view of “The Hong Kong Jockey Club Series: Picasso for Asia—A Conversation,” at M+ in Hong Kong. (Photo: Lok Cheng)

(Courtesy Musee national Picasso-Paris / Mathieu Rabeau)

Gu Dexin, Untitled, 1980s.

Luis Chan, Joy of Life, 1969.

(Courtesy Hanart TZ Gallery)

Pablo Picasso, Figures by the Sea, 1931.

M+ presents the exhibition “Picasso for Asia: A Conversation."

Installation view of “The Hong Kong Jockey Club Series: Picasso for Asia—A Conversation,” at M+ in Hong Kong. (Photo: Wilson Lam)

(Courtesy Musee national Picasso-Paris / Mathieu Rabeau)

Feng Guodong, Body, 1978.

Luis Chan, Cubist Sea Shore, 1959.

(Courtesy Hanart TZ Gallery)

Pablo Picasso, Portrait of Dora Maar, 1937.

M+ presents the exhibition “Picasso for Asia: A Conversation."

Pablo Picasso, “The Acrobat,” 1930. (Courtesy Musée national Picasso-Paris / Mathieu Rabeau)

(Courtesy Musee national Picasso-Paris / Mathieu Rabeau)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Installation view of “The Hong Kong Jockey Club Series: Picasso for Asia—A Conversation,” at M+ in Hong Kong. (Photo: Lok Cheng)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Gu Dexin, “Untitled,” 1980s. (Courtesy M+, Hong Kong)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Installation view of “The Hong Kong Jockey Club Series: Picasso for Asia—A Conversation,” at M+ in Hong Kong. (Photo: Wilson Lam)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Installation view of “The Hong Kong Jockey Club Series: Picasso for Asia—A Conversation,” at M+ in Hong Kong. (Photo: Wilson Lam)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Luis Chan, “Joy of Life,” 1969. (Courtesy Hanart TZ Gallery)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Pablo Picasso, “Figures by the Sea,” 1931. (Courtesy Musée national Picasso-Paris / Mathieu Rabeau)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Installation view of “The Hong Kong Jockey Club Series: Picasso for Asia—A Conversation,” at M+ in Hong Kong. (Photo: Wilson Lam)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Installation view of “The Hong Kong Jockey Club Series: Picasso for Asia—A Conversation,” at M+ in Hong Kong. (Photo: Lok Cheng)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Installation view of “The Hong Kong Jockey Club Series: Picasso for Asia—A Conversation,” at M+ in Hong Kong. (Photo: Lok Cheng)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Feng Guodong, “Body,” 1978. (Courtesy of M+, Hong Kong)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Installation view of “The Hong Kong Jockey Club Series: Picasso for Asia—A Conversation,” at M+ in Hong Kong. (Photo: Lok Cheng)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Installation view of “The Hong Kong Jockey Club Series: Picasso for Asia—A Conversation,” at M+ in Hong Kong. (Photo: Lok Cheng)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Luis Chan, “Cubist Sea Shore,” 1959. (Courtesy Hanart TZ Gallery)

M+ presents the exhibition “Picasso for Asia: A Conversation."

Pablo Picasso, “Portrait of Dora Maar,” 1937. (Courtesy Musée national Picasso-Paris / Mathieu Rabeau)