Nigerian artistSilas Onojadoesn’t create ordinary portraits of people.
Each figure is presented, wrapped in or breaking free from a plastic film, absolutely drenched.
I use plastic to represent the mental bondage or whatever has held them captive, Onojaexplains.
The water represents the refreshing taste of freedom and the calmness freedom brings.
The artist’s intention is to represent the mental bondage that many people find themselves trapped in.
Each portrait is a varied visualization of someone being their own worst enemy and potentially escaping that toxic mentality.
It’s almost like being reborn.
One could also infer that the plastic wrap is much like the glass ceiling that feminists talk about.
Except, in this case, it’s a clear barrier that Black bodies peer through.
There’s a sense of relief as Onoja’s subjects break free from the transparent enclosure.
Onoja believes that hyperrealistic painting offers a more truthful depiction than photography.
The eyes of his subjects are particularly evocative, as they seem to glisten with life.
Onoja’s exquisite work has been showcased in solo and joint exhibitions throughout Nigeria and Europe with wide acclaim.
Prints and original paintings are available for purchase on hiswebsite.