During his time in the country, he camped with the Mundari and was able to document their traditions.
With a background in the fashion industry, Doggett brings a unique sensibility to this pop in of photography.
Read on for My Modern Met’s exclusive interview.
Ive always been fascinated by cultures, especially those that are in touch with the natural world around them.
To me, this made the Mundaris world a visual story worth telling.
What sort of research and planning went into executing this story?
A large part of this process was also exploring the options of how I could reach these communities.
How much time did you spend with the Mundari, and how were you able to connect with them?
Beyond his experience, hiring a local guide who can help you connect and communicate with people is key.
I also always aim to find a guide who knows the culture well.
What was the most challenging part of shooting the series?
Another challenging element was the window of time I had to create the work.
The sun is extremely harsh, and it rises and sets quickly.
What do you think that people would be most surprised to learn about the Mundari?
It was simply incredible.
What are you hoping to transmit to the public with this work?
The dramatic scenes of humanity I found among the Mundari were unlike anything I had ever experienced.
As I mentioned, theres a lot of responsibility in photographing a subject like this.
I also want people to engage with my images in an exploratory way.
I feel pretty lucky about the timing of my trip there.
