Photo by Matailong Du.
Wood and glass mirrored room with paper lanterns, 119 5/8 x 245 1/8 x 245 1/8 in.
(304 x 622.4 x 622.4 cm).
Visitor experiencing Yayoi Kusama’s “Infinity Mirrored Room—My Heart Is Dancing into the Universe (2018),” part of the 2022 exhibition One with Eternity: Yayoi Kusama in the Hirshhorn Collection at the Hirshhorn Museum and Sculpture Garden. Photo by Matailong Du. Wood and glass mirrored room with paper lanterns, 119 5/8 x 245 1/8 x 245 1/8 in. (304 x 622.4 x 622.4 cm). Courtesy Ota Fine Arts and Victoria Miro, London/Venice. © YAYOI KUSAMA. Purchased jointly by the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. (Joseph H. Hirshhorn Purchase Fund, 2020), and the Albright-Knox Art Gallery, Buffalo, with funds from the George B. and Jenny R. Mathews Fund, by exchange.
Courtesy Ota Fine Arts and Victoria Miro, London/Venice.
Kusama has built her practice around the ideas of celebration and inclusion, Hirshhorn Director Melissa Chiusays.
There is no better artist than Kusama and no better reason to welcome visitors back to the Hirshhorn.
Visitor experiencing Yayoi Kusama’s “Infinity Mirrored Room—My Heart Is Dancing into the Universe (2018),” part of the 2022 exhibition One with Eternity: Yayoi Kusama in the Hirshhorn Collection at the Hirshhorn Museum and Sculpture Garden. Photo by Matailong Du. Wood and glass mirrored room with paper lanterns, 119 5/8 x 245 1/8 x 245 1/8 in. (304 x 622.4 x 622.4 cm). Courtesy Ota Fine Arts and Victoria Miro, London/Venice. © YAYOI KUSAMA. Purchased jointly by the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. (Joseph H. Hirshhorn Purchase Fund, 2020), and the Albright-Knox Art Gallery, Buffalo, with funds from the George B. and Jenny R. Mathews Fund, by exchange.
Guests under 12 years of age do not require a pass.
The exhibit includes Kisamas iconicInfinity Mirrorrooms… Photo by Matailong Du.
Courtesy Ota Fine Arts YAYOI KUSAMA.
Visitor experiencing Yayoi Kusama’s “Infinity Mirrored Room—My Heart Is Dancing into the Universe (2018),” part of the 2022 exhibition One with Eternity: Yayoi Kusama in the Hirshhorn Collection at the Hirshhorn Museum and Sculpture Garden. Photo by Matailong Du. Wood and glass mirrored room with paper lanterns, 119 5/8 x 245 1/8 x 245 1/8 in. (304 x 622.4 x 622.4 cm). Courtesy Ota Fine Arts and Victoria Miro, London/Venice. © YAYOI KUSAMA. Purchased jointly by the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. (Joseph H. Hirshhorn Purchase Fund, 2020), and the Albright-Knox Art Gallery, Buffalo, with funds from the George B. and Jenny R. Mathews Fund, by exchange.
Courtesy of Ota Fine Arts YAYOI KUSAMA (Photo by Cathy Carver)
…and more!
Yayoi Kusama, Flowers Overcoat, 1964.
Cloth overcoat, plastic flowers, metallic paint, and wood hanger.
Visitor experiencing Yayoi Kusama’s “Infinity Mirrored Room—My Heart Is Dancing into the Universe (2018),” part of the 2022 exhibition One with Eternity: Yayoi Kusama in the Hirshhorn Collection at the Hirshhorn Museum and Sculpture Garden. Photo by Matailong Du. Wood and glass mirrored room with paper lanterns, 119 5/8 x 245 1/8 x 245 1/8 in. (304 x 622.4 x 622.4 cm). Courtesy Ota Fine Arts and Victoria Miro, London/Venice. © YAYOI KUSAMA. Purchased jointly by the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. (Joseph H. Hirshhorn Purchase Fund, 2020), and the Albright-Knox Art Gallery, Buffalo, with funds from the George B. and Jenny R. Mathews Fund, by exchange.
50 3/4 x 28 7/8 x 5 3/4 in.
(128.9 x 73.3 x 14.6 cm) Hirshhorn Museum and Sculpture Garden, Washington, DC.
Joseph H. Hirshhorn Bequest and Purchase Funds, 1998 (98.38).
Visitor experiencing Yayoi Kusama’s “Infinity Mirrored Room—My Heart Is Dancing into the Universe (2018),” part of the 2022 exhibition One with Eternity: Yayoi Kusama in the Hirshhorn Collection at the Hirshhorn Museum and Sculpture Garden. Photo by Matailong Du. Wood and glass mirrored room with paper lanterns, 119 5/8 x 245 1/8 x 245 1/8 in. (304 x 622.4 x 622.4 cm). Courtesy Ota Fine Arts and Victoria Miro, London/Venice. © YAYOI KUSAMA. Purchased jointly by the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C. (Joseph H. Hirshhorn Purchase Fund, 2020), and the Albright-Knox Art Gallery, Buffalo, with funds from the George B. and Jenny R. Mathews Fund, by exchange.
YAYOI KUSAMA (Photo by Lee Stalsworth)
Yayoi Kusama, The Hill, 1953 A (No.
30), 1953.
Gouache, pastel, oil paint, and wax on paper.
Visitor experiencing Yayoi Kusama’s “Infinity Mirror Room—Phalli’s Field” (1965/2017), part of the 2022 exhibition One with Eternity: Yayoi Kusama in the Hirshhorn Collection at the Hirshhorn Museum and Sculpture Garden. Photo by Matailong Du. Courtesy Ota Fine Arts © YAYOI KUSAMA. Collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
14 3/8 x 12 3/8 in.
(36.3 x 31.4 cm).
Hirshhorn Museum and Sculpture Garden, Washington, DC.
Yayoi Kusama, Installation view of “Infinity Mirror Room—Phalli’s Field,” 1965/2017, at the Hirshhorn Museum and Sculpture GardenStuffed cotton, board, and mirrors. Courtesy of Ota Fine Arts ©YAYOI KUSAMA (Photo by Cathy Carver)
Museum Purchase, 1996 (96.6).
YAYOI KUSAMA (Photo by Cathy Carver)
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Yayoi Kusama, Installation view of “Infinity Mirror Room—Phalli’s Field,” 1965/2017, at the Hirshhorn Museum and Sculpture GardenStuffed cotton, board, and mirrors. Courtesy of Ota Fine Arts ©YAYOI KUSAMA (Photo by Cathy Carver)
Visitor experiencing Yayoi Kusama’s “Infinity Mirror Room—Phalli’s Field” (1965/2017), part of the 2022 exhibition One with Eternity: Yayoi Kusama in the Hirshhorn Collection at the Hirshhorn Museum and Sculpture Garden. Photo by Matailong Du. Courtesy Ota Fine Arts © YAYOI KUSAMA. Collection of the Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, D.C.
Yayoi Kusama, Installation view of “Infinity Mirror Room—Phalli’s Field,” 1965, in Floor Show, Castellane Gallery, New York, 1965Stuffed cotton, board, and mirrors. Courtesy of Ota Fine Arts; Victoria Miro; David Zwirner © YAYOI KUSAMA (Photo by Eikoh Hosoe)
Yayoi Kusama, Installation view of “Infinity Mirror Room—Phalli’s Field,” 1965, in Floor Show, Castellane Gallery, New York, 1965Stuffed cotton, board, and mirrors. Courtesy of Ota Fine Arts; Victoria Miro; David Zwirner © YAYOI KUSAMA (Photo by Eikoh Hosoe)
Yayoi Kusama, “Pumpkin,” 2016, at the Hirshhorn Museum and Sculpture Garden. Fiber-reinforced plastic. Courtesy of Ota Fine Arts © YAYOI KUSAMA (Photo by Cathy Carver)
Yayoi Kusama, “Flowers – Overcoat,” 1964. Cloth overcoat, plastic flowers, metallic paint, and wood hanger. 50 3/4 x 28 7/8 x 5 3/4 in. (128.9 x 73.3 x 14.6 cm) Hirshhorn Museum and Sculpture Garden, Washington, DC. Joseph H. Hirshhorn Bequest and Purchase Funds, 1998 (98.38). © YAYOI KUSAMA (Photo by Lee Stalsworth)
Yayoi Kusama, “The Hill, 1953 A (No. 30),” 1953. Gouache, pastel, oil paint, and wax on paper. 14 3/8 x 12 3/8 in. (36.3 x 31.4 cm). Hirshhorn Museum and Sculpture Garden, Washington, DC. Museum Purchase, 1996 (96.6). © YAYOI KUSAMA (Photo by Cathy Carver)